March 8. Scott Burns - tenor Saxophone. Dennis Carroll - bass. March 25 Wednesday! Doug Hayes - bass. Joe Adamik - drums. April
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Andy Brown is a major leaguer who'll score with aficionados and casual listeners alike because he respects the compositions while presenting his own take on a tune. His choices are astute and any jazz guitarist would enjoy an evening appreciating his artistry while his or her date would just enjoy the good music. Brown is smart and savvy like Les Paul and Armstrong who'd always lay the familiar in the listener's lap as a constant reference point for his improvisations Highly recommended. Andy Brown perpetuates the legacy of great Chicago guitarists with this fine collection of standards all reharmonized with fingerstyle flair. Like Joe Pass, Brown plays solo guitar employing bebop rides, melodic minor runs and walking bass lines. In short, he's a comprehensive and creative soloist and with just occasional exceptions his choices are interpreted sans pick. First tune of the set is an aptly romantic rendition of Irving Berlin's "Dancing in the Dark" followed by a spirited version of "Stompin' at the Savoy" with a walking bass line juxtaposed against imaginative improvisations.
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Andy Brown - composer’s tracks
Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. To get the free app, enter your mobile phone number. It is full of clever and innovative suggestions to aid the contemporary composer and musician Some ways to use this book :- Open a page at random to help when you a are stuck, like asking a friend or band mate for an idea. Read a prompt and apply your own interpretation to it. How creative can you get from the starting point? Can it be applied in another way? Use one prompt as a basis for a new song Combine and apply several prompts chosen at random as the basis for a new song Read a technique and and learn about it thus increasing your musical palette and vocabulary.
I specialize in pocket playing, as well as slightly "left-of-center" basslines that will bring your music to life and give your song s a unique feel, all while emphasizing the musicality of your art. You deserve a player who appreciates the art in your music and wishes to add to it by serving the song only what it needs. Let's get to work. During the initial tracking stage, you will receive three different passes of basslines over your song:. After this stage, if we don't have "the take", I believe that we will have a solid idea of the main direction of the song and what we want it to feel like. Any revisions after this stage are free of charge.